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3.1. Exhibitions
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3.5. National Programme
Page Body
30 Sep 2008 |
Anita Di Bianco’s films take up, modify and re-work existing and re-imagined characters from cinema and literature – excerpting and adapting the texts of Gertrude Stein, of Jean Gênet’s play The Maids, and several of the works of Marguerite Yourcenar. |
30 Sep 2008 |
Niamh O’Malley is interested in the fabricated nature of the viewing experience. Her artistic practice, which often takes the form of video projections onto painted canvases, is concerned with the distance from source to spectacle, the deliberate manufacture of illusion, and ultimately, loss. |
31 May 2008 |
Danny Treacy is a photographer whose practice evolves around a number of different projects all of which involve darkness, ambiguity, intimacy and defiance as endless sources of investigation. |
29 Feb 2008 |
Mariana Silva da Silva (Brazil)
Frequently, while creating her work, Mariana Silva da Silva challenges the definition of 'coastline', a zone of contact between earth and sea. |
29 Feb 2008 |
Thai artist Phuttiphong Aroonpheng’s art practice is encounter driven. He is inspired by many documentary films that create a form of subjective storytelling. |
18 May 2008 |
Alan Phelan's practice involves the production of objects, participatory projects, curating and writing. These all inform and contribute to an interest in the narrative potential surrounding an artwork. |
01 Jan 2008 |
Through his work Yuki Okumura aims to illuminate and even reconcile the gap between the physical world itself and the work perceived by the human brain. |
31 Mar 2008 |
Seamus Nolan (Ireland)
Seamus Nolan’s practice investigates the relative value of objects and social processes as they appear within different economies and contexts. |
29 Feb 2008 |
Mark Clare consistently explores issues of social value in his work. Using video and photography to record a myriad of public interventions, Clare seeks to provoke and agitate our social conscience. |
31 Aug 2007 |
Jered Sprecher (USA)
Jered Sprecher’s studio practice is based in the diversity of visual culture. He is a hunter and a gatherer, constantly accumulating images produced by the people and cultures around him. |
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